It’s been very, very, hot here for a very long time. So I have been playing inside while the poor wild animals have to deal with the incessant sun and temperatures. We do not have air conditioning, having been told when we bought our house that it was not necessary this high up, at altitude 6300 plus. Somebody fibbed. And it wasn’t me.
So what painting has happened here has been in the studio, under cover from the sun and out of the triple digit temps. This has given me time to think about framing and various types of framing. Normally I buy my plein air frames. But that gets really expensive when working on larger pieces.
I have been developing, with my hubby’s help, a simple floating frame that he can cut and I can finish. With framing prices what they are, I am opting for bought frames for only those pieces that I deem worthy. And since I rarely like anything I produce once the effort is over, I guess he’ll be building me some frames for a while.
I am just finishing a 24”x24” seascape from my studies and photos while I was in Monterey. I liked the square format, and it promoted a composition that I might not have done in a conventional horizontal format. It’s quite large for me, since I usually work in at 11x14 ; a size for which I find frames easily, and comparatively less expensively.
Here are several shots of the WIP (work in progress).
|Finished "Monterey Morning"|
Floater frames are basically an L shaped frame into which one drops the finished artwork. One either glues or screws the artwork to this frame from behind. The type I am developing with hubby’s help has an extra ¼” border on the inside between the outer frame part and the artwork. This edge makes it easier to center the artwork in the frame. I can also gold leaf it, or paint it black. That wee edge is a real nice touch. And truth be told, he loves having a project to use his new saw on. Plus he is a perfectionist. How lucky can a gal get?
The yellow is the picture on either board with glued square dowels attached or a stretched canvas.
The lower brown section is where one places the screw to attach the art to the frame.
It’s a lot of work ripping the wood to the desired specs, but he does a lovely job. And as long as I don’t ask him too often, the floater frame might just be the ticket. And a seascape was jut the thing to cool off mentally if not physically.
Painting is just like making an after-dinner speech. If you want to be remembered, say one thing and stop. To see things simply is the hardest thing in the world. (Charles W. Hawthorne)